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Taking original style into the 21st century

The Great British Make Off

5/11/2016

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With the close of the final episode of the Great british Bake off in its present form ends something quite special. Now, I’m not one of those boring people who think that just because the programme is moving to a different channel it won’t be as good, but the prospect of the show losing what I see as its key lynchpin, Mary Berry, could definitely weaken its prestige. No matter how much people bang on that it’s all about the cakes, the contestants or the presenters, there is a danger that without Mez Bez, the show will lose that powerful sense of British tradition that only she, with her towering fame and understated, yet unrivalled prowess, brought to the show.

Anyway I could bang on about this for a while, especially the fact that Paul Hollywood only ever wrote a single book before the series begun and yet is heralded as the “bread expert”, but I won’t. What this post is about is a new idea.

As far as I could see, the GBBO was all about (other than baking) technical skill, time-management and, above all, creativity. Some of the cakes presented were stunning. From the more try-this-at-home stuff like like blood orange drizzle cake, chorizo sausage rolls and savoury scones, to the more extravagant grapefruit and ginger meringues, floral tea cakes and the sumptuous, final round, no-holds-barred chocolate cakes. 

This is actually the first time I’ve ever watched the programme all the way through. Some might laugh, but seeing everything come together on the plates at the end was absorbing and I can see why people obsess about it. At the end of the every programme I was genuinely inspired to have a go and bake something.

Anyway my idea is to take those points of technical skill, organisation and spellbinding creativity and apply them in a new situation - tailoring! Let’s call it The Great British Make Off.

The show should take place in an old warehouse somewhere in East London (just to get that old British vibe). We’ll bring in Eddie Piller of the Modcast as the presenter. He’s got a bullish, larger-than-life personality and is used to presenting on radio, so he’s the natural choice. 

The first judge can be tailor Mark Powell. Powell is the Mary Berry of the show - a bastion of the tradition, a legendary pedigree with a knowledgeable presence. He’ll know his Prince of Wales from his dogtooth blindfolded and with his hands tied behind his back. The other judge can be Bradley Wiggins or someone young and flash. Comparisons with Paul Hollywood won’t be made. 
Each week our six contestants would show up at the warehouse to be presented with two separate tasks. I visualise this as a “technical” and a “signature” each week and maybe a “showstopper” during the final week. 

Each contestant will be assigned a “client” for whom they have to tailor. I say male here simply because I think it would be unlikely for a tailor to possess both suitmaking AND dressmaking prowess, plus I want to keep the show on the side of classic Mod side simply because of my own personal taste. I don’t usually do women’s clothes on this blog so I won’t bother on the show. But I do think the option could be retained for a female equivalent.
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So, on to the tasks, which I see as generally covering suitmaking and maybe shirtmaking, but not a lot else.

For the “technical” part of the programme, the contestant would have to listen carefully to what the judges instructed them they wanted and follow the brief given with as little deviation as possible, measuring up their clients in the usual way and putting together the requested item in the correct size and shape. The item would be ideally from some vaguely relevant Mod picture or image, like an old Ivy League photo, Steve Marriott’s suit from the Small Faces first album cover or even just a classic early Jam suit. The contestants would have to get to it, judged in the end not only how well the suit fitted their client, but also how well it matched the source material.

The “signature” would be a bit different. By having a chat with the client and understanding their tastes (as well as incorporating a bit of the contestant’s own ideas) each contestant would have to make an unusual or smart Mod suit in their own style they think their client would like. This would be judged again on quality and creativity but also on how much each client was seen to like the creation. This could be the truly creative area - where any number of fantastic designs could be come into being before our eyes.

Other than this, I suppose the show would continue for several weeks as contestants are voted off and there is one surviving winner!

Alright, so it might not be a complete show as yet. But you’ve got to admit, I’ve got you thinking...
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Tribute to Victory

20/8/2016

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Repping the new shirts he's the face of too.
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Wiggo and the LG

19/8/2016

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Great pic. Unexpected actually - the Manchester style meets the trad.
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Wiggo

18/5/2016

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Just as a follow up to the post from the other day, see those famous shoes in action...
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Shoe art

16/5/2016

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​​I’ve gone with this topic again because of the revelation last week of Wiggo’s new shoes. 

I love the design because it harks back to an inspiration I’ve always seen as synonymous with the 1960s and Mod. In this case, Wiggo chose a design that is one of Paul Weller’s signature guitar designs (although from which kind of album period, I’m not sure - I’m guessing mid Setting Sons?) and it’s pure pop art. 
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Both the shoes and guitar look great - sharp lines and bold colours, effectively an enlarged Roy Lichtenstein cartoon. As I mentioned in my post a while back, the Who took up the pop art banner in a big way when they started, surfing on a multicoloured tide of union jack blazers, RAF roundels and a whole collection of zany patterns and bold colours that was infused into their clothes and reflected in their earlier uncomplicated, chord-driven tunes.

There should be more of this. 

It’s possible to do it wrong of course. Ben Sherman had a go, but their Beatles shirts were a bit kitsch - using a well known logo and plastering it all over a shirt was a bit opportunistic IMO. 

Having said that, it probably sold well for non-Mods looking to be associated with the world’s supposed greatest band. But they should try again with some other stuff. 

Pretty Green have gone paisley mad this season: shirts, t-shirts, parkas, light jackets, hats and even footballs. As I said earlier in the week, I would definitely be up for some paisley socks too. 
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But the point is clear - the paisley pattern is epic, always looks great in the sun and I’ll bet it sells like hot cakes. Paisley came a bit after pop art, but the idea is the similar. These kind of patterns and colours were what attracted me to Mod in the first place and they absolutely capture the fire and imagination of 1960s optimism, bullishly looking to the future.

I hope Wiggo inspires similar feats of outrageous Modernism.
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